![]() ![]() ![]() Overall, Akai Professional APC Mini is a simple yet effective MIDI controller aimed at launching clips with a great Ableton integration. Also, the pads are not velocity-sensitive, but they are too small to have that function. The only letdown for me is the recessed faders which feel a bit cheap. It comes with a great software bundle which includes Ableton Live Lite, Hybrid 3 by AIR Music Tech, and the Toolroom artist launch pack. ![]() The layout is quite straightforward, which makes it highly beginner-friendly. Not the greatest faders and the pads are not velocity-sensitiveĪnother great aspect of the APC Mini is its small and compact size, making it highly portable to carry around and start jamming with fellow musicians.If you’re going to get one very versatile MIDI controller that you want to work with Ableton Live, then this is a great option. Number Of KeysĪbleton Push 2 has a ton of other features and you can spend a long time sinking your teeth into this controller. Also, the controller is built extremely well and is made of good durable quality material. Playing melodies and chords using the grid buttons is very easy and well-liked by many who don’t play piano and keyboards. The 16 pads on the bottom left are often used as a drum controller for Ableton Drum Racks and work VERY well! Featuring velocity-sensitive buttons that are great as a MIDI Drum pad. Also, it has multi-colored grid buttons that are very useful to help you distinguish between different clips and samples. It feels like a bit of a missed opportunity that the Send knobs can't be used to control device parameters like the Pan knobs can, but that's certainly not enough of an issue to prevent us giving it our wholehearted recommendation.You can spend less time looking at your laptop thanks to its high-resolution screen. The sturdy design makes it ideal for live performance, but it's quite at home as a mixing tool in the studio too. The Launch Control XL is a very well thought-out controller that packs a lot into its relatively tiny surface area. There are also two Send Select buttons for selecting which sends in Live the Send A and Send B knobs control. So, once you've got the hang of how the modifiers work, you can select any device on any track and tweak its parameters without touching your mouse or keyboard. When held, the Device button also turns the Track Select buttons into Device Select buttons, which cycle through the instruments and effects on the currently selected track. This setup would be much better if the Send A and Send B knobs could also be used for device control, but as it stands, the only way to get access to all of the controls is to create a user template - see Template of Dreams. In the case of EQ Eight, for example, the first bank sees the knobs controlling each band's on/off state, the second band frequency, the third band Gain, and so on. The Device modifier button switches the Pan knobs into Device mode, under which they control eight of the currently selected plugin's parameters.įurther parameters can then be accessed by holding down the Device button, which turns the Track Control pads into Device Bank selectors, each with its own Pan/Device knob assignments. The Track Select buttons jump the whole controller between banks of eight channels in Live: 1-8, 9-16, 17-24 and so on. Pressing Track Focus on a channel selects that channel's strip in Live, as if you'd clicked on it, while Track Control has three modes of operation, selected using the buttons on the right-hand side of the unit: Mute, Solo and Record Arm - it's all very straightforward. ![]()
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